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- ~0E
- ~0E
- ~0E Chou I, Version 2.23
- ~0E Copyright 1987-89 by R.K.Thompson
- ~0E Chou I Text Copyright 1985-87 by J.L. Schroeder
- ~0E All Rights Reserved
- ~0E
- ~0E You are granted a limited license to use the software
- ~0E described in this manual. Chou I is not a public domain
- ~0E program. It is Copyright 1987-88 by R.K. Thompson. The
- ~0E documentation files containing the translated material
- ~0E are Copyright 1985-87 by J.L. Schroeder. The conditions
- ~0E under which you may copy this program and documentation
- ~0E are detailed in the section of this manual entitled
- ~0E "Restricted Permission to Copy".
- ~0E
- ~0E
- ~0E The author may make improvements and/or changes in this
- ~0E manual or in the program described in this manual at
- ~0E any time.
- ~0E
- ~0E
- ~0E
- ~0E RESTRICTED PERMISSION TO COPY
- ~0E
- ~0E Individuals are granted permission by the author to freely
- ~0E copy the Chou I diskette for their own use or for other
- ~0E individuals to evaluate, so long as no price or other
- ~0E consideration is charged.
- ~0E
- ~0E Non-profit computer user groups, clubs and bulletin boards
- ~0E are granted limited permission by the author to copy the
- ~0E diskette and share it with their members, ONLY when the
- ~0E following conditions are met:
- ~0E
- ~0E - No price or other consideration may be charged. A dis-
- ~0E tribution cost may be charged for the cost of the disk-
- ~0E ette, shipping and handling, so long as the total does
- ~0E not exceed actual costs.
- ~0E
- ~0E - The program (including all related program files) and doc-
- ~0E umentation files CANNOT be modified in any way; and both
- ~0E must always be distributed together - without exception.
- ~0E
- ~0E - Chou I CANNOT be sold as part of some other inclusive
- ~0E package. Nor can it be included in any commercial soft-
- ~0E ware packaging offer for profit without a written agree-
- ~0E ment from the author.
- ~0E
- ~0E - Chou I CANNOT be "rented" to others.
- ~0E
- ~0E
- ~0E Companies, schools, universities, and other organizations
- ~0E are granted permission by the author to copy Chou I for
- ~0E CLASSROOM USE (training and educational purposes) only under
- ~0E the following conditions:
- ~0E
- ~0E - No cost or other consideration may be charged for each
- ~0E student; however, a charge may be assessed as long as it
- ~0E is not more than the actual cost of the disk.
- ~0E
- ~0E - Chou I (including all related program files) and the
- ~0E documentation on the disk CANNOT be modified in any way;
- ~0E and both must always be distributed together - without
- ~0E exception.
- ~0E
- ~0E
- ~0E BACKGROUND
- ~0E
- ~0E The origin of the Chou I symbology is associated with Fu Hsi, re-
- ~0E puted to have lived in the 30th century B.C. He is credited with
- ~0E inventing writing, cooking, animal husbandry, the marriage con-
- ~0E tract, the calendar, stringed instruments, fishing with nets,
- ~0E even the first number system. In short, Fu Hsi developed the
- ~0E basis of the culture, and virtually "invented" civilization
- ~0E itself.
- ~0E
- ~0E
- ~0E Fu Hsi was said to have seen the eight trigrams in the shell of a
- ~0E tortoise, and then gave these abstract forms meanings obtained
- ~0E through contemplation (see Appendix B). These images are
- ~0E archetypes invested with psychic content: a bridge between the
- ~0E psyche and the world.
- ~0E
- ~0E
- ~0E ▄▄▄▄ ▄▄▄▄ At a very early date, the eight trigrams of Fu Hsi
- ~0E ▄▄▄▄ ▄▄▄▄ were combined, one above the other, to produce 64
- ~0E ▄▄▄▄ ▄▄▄▄ permutations of archetypal symbols, called Hexagrams,
- ~0E ▄▄▄▄▄▄▄▄▄▄ each composed of six lines. There are two forms of
- ~0E ▄▄▄▄▄▄▄▄▄▄ these lines: Yang (solid) and Yin (broken). The
- ~0E ▄▄▄▄▄▄▄▄▄▄ line forms are further divided into two types, Young
- ~0E and Old. Old lines are considered to be changing
- ~0E lines. That is, they will change from Yang to Yin, or vice versa,
- ~0E thus producing a second hexagram.
- ~0E
- ~0E
- ~0E Two early versions of the Book of Changes were produced, the Lien
- ~0E Shan, or "Manifestation of Change in the Mountains" of the Hsia
- ~0E Dynasty, and the Kuei Ts'ang, or "Returning to the Hidden" of the
- ~0E Shang Dynasty. These texts are now lost, and all we know of them
- ~0E are their names, and that the Lien Shan began with the hexagram
- ~0E for Mountain, while the Kuei Ts'ang began with the hexagram for
- ~0E Earth. It is likely that these books were an unsystematized
- ~0E concatenation of the hexagrams without any verbal description of
- ~0E meaning.
- ~0E
- ~0E
- ~0E Wen Wang, or King Wen, the famous sage-king, founder of the
- ~0E Chou Dynasty, circa 1122 B.C., is the author of the present text.
- ~0E He was imprisoned for seven years by the tyrant Chou Hsin, the
- ~0E last emperor of the Shang Dynasty, for political reasons.
- ~0E It was during this period that Wen systematized the order of the
- ~0E hexagrams, and appended the judgments on the meaning of each
- ~0E hexagram, and the individual lines. Wen's brother, the Duke of
- ~0E Chou, a literary genius in his own right, added further symbology
- ~0E to Wen's analysis.
- ~0E
- ~0E
- ~0E The authors of the Chou I analyzed Change itself into 64 arche-
- ~0E typal processes, each subdivided into six stages. Could we re-
- ~0E late our affairs properly to the everlasting patterns of ebb and
- ~0E flow, we should be able to determine the best action to be taken
- ~0E in each case, and come close to being masters of our lives!
- ~0E
- ~0A
- ~0A METHOD
- ~0A
- ~0A Consulting the Chou I, often called "divination", is engaged as
- ~0A follows:
- ~0A
- ~0A A question is asked about the inherent meaning or consequences of
- ~0A a certain course of action. (Do NOT aim at a "yes/no" answer).
- ~0A Next a divination procedure is performed (to be explained below)
- ~0A usually resulting in a pair of hexagrams. The first hexagram is
- ~0A considered to be a description of the present situation; the
- ~0A changing lines (if any) indicate the actions to be taken (or
- ~0A avoided); and finally the second hexagram (if any) indicates the
- ~0A future situation which may be the result of the actions. If no
- ~0A changing lines are present, and thus no second hexagram, this
- ~0A indicates that the present situation is a relatively static one,
- ~0A with no immediate change to be expected.
- ~0A
- ~0A
- ~0A The validity of the divination process is based upon the acausal
- ~0A connection between all things in the universe, from galaxies to
- ~0A atomic structures, and the unconscious psyche of the diviner.
- ~0A Thus the hexagrams received in a reading are not a matter of pure
- ~0A chance, but are rather one part of the cosmic web of events, none
- ~0A of which is entirely unrelated to the others.
- ~0A
- ~0A
- ~0A
- ~0A Coin Tossing Method: 3 coins required.
- ~0A
- ~0A All three coins are placed together in the hands loosely cupped,
- ~0A shaken awhile and then allowed to fall simultaneously. The re-
- ~0A sult of the first throw will reveal the bottom line of the an-
- ~0A swering hexagram; the second throw the next line from the bottom,
- ~0A and so on. Six tosses will produce one hexagram; the changing
- ~0A lines (if any) lead to the second hexagram. In the table below,
- ~0A "H" stands for heads up, "T" for tails up. For western coins,
- ~0A the side containing the denomination is usually considered to be
- ~0A "tails", the other side "heads." Heads is considered Yang, 3;
- ~0A tails is considered Yin, 2. For Chinese coins, the side in-
- ~0A scribed with FOUR characters is Yin, 2. The other side, which
- ~0A may be blank, is Yang, 3.
- ~0A
- ~0A
- ~0A
- ~0A T+T+T (6) ---X--- an Old Yin line (i.e. changing)
- ~0A T+T+H (7) ------- a Young Yang line (i.e. static)
- ~0A T+H+H (8) --- --- a Young Yin line (i.e. static)
- ~0A H+H+H (9) ---Θ--- an Old Yang line (i.e. changing)
- ~0A
- ~0A
- ~0C
- Note: The changing lines are displayed by the program with
- brighter video than the static lines. The traditional
- Xs and Os shown above are not displayed.
- ~0C
- ~0A
- ~0A Yarrow Stalk Method: 50 stalks required.
- ~0A
- ~0A
- ~0A 1. Remove ONE stalk from the heap; set it aside.
- ~0A
- ~0A 2. Divide the remaining stalks into two heaps with your RIGHT
- ~0A hand.
- ~0A
- ~0A 3. Remove ONE stalk from the heap on the RIGHT, and place it
- ~0A between the ring and little fingers of your LEFT hand.
- ~0A
- ~0A 4. Count through the heap on the LEFT, by FOURS, until four or
- ~0A fewer stalks remain; put these remaining stalks between the
- ~0A middle and ring fingers of your LEFT hand.
- ~0A
- ~0A 5. Count through the heap on the RIGHT, by FOURS, until four or
- ~0A fewer stalks remain; put these remaining stalks between the
- ~0A index and middle fingers of your LEFT hand.
- ~0A
- ~0A 6. Your LEFT hand will now be holding either 5 or 9 stalks; PUT
- ~0A THESE ASIDE, then merge the remaining stalks.
- ~0A
- ~0A 7. Repeat steps 2 - 5; 4 or 8 stalks will be in your left hand
- ~0A this time: PUT THESE ASIDE.
- ~0A
- ~0A 8. Repeat steps 2 - 5; 4 or 8 stalks will be in your left hand
- ~0A this time: PUT THESE ASIDE.
- ~0A
- ~0A 9. Now you have set aside three small heaps of stalks, each of
- ~0A which contains either 4, 5, 8, or 9 stalks. The first three
- ~0A "blanks" following "Line 1" in the table below are for
- ~0A entering numbers associated with these heaps. Count the
- ~0A stalks in each heap: if it contains 4 or 5 stalks, enter a 3
- ~0A in one blank. If it contains 8 or 9 stalks, enter a 2 in
- ~0A the blank. Then add these 3 numbers in the blanks and enter
- ~0A the sum (6, 7, 8, or 9) in the blank following the "=". This
- ~0A is the number of the first line.
- ~0A
- ~0A 10. Repeat steps 2 - 9 for the other 5 lines of the hexagram,
- ~0A recording the appropriate numbers in an UPWARD progression
- ~0A through the table. It is helpful to have at hand a small
- ~0A "worksheet" such as shown below:
- ~0A
- ~0A
- ~0A Line 6 ____ + ____ + ____ = ____
- ~0A
- ~0A Line 5 ____ + ____ + ____ = ____
- ~0A
- ~0A Line 4 ____ + ____ + ____ = ____
- ~0A
- ~0A Line 3 ____ + ____ + ____ = ____
- ~0A
- ~0A Line 2 ____ + ____ + ____ = ____
- ~0A
- ~0A Line 1 ____ + ____ + ____ = ____
- ~0A
- ~0B
- ~0B THE COMPUTER PROGRAM
-
-
- ~0B This is the main "Menu" of the Chou I program:
- ~0E
- ~0E ╔════════════════════════╗
- ~0E ║ ║
- ~0E ║ 1. INSTRUCTIONS ║
- ~0E ║ ║
- ~0E ║ 2. CONSULT CHOU I ║
- ~0E ║ ║
- ~0E ║ 3. EXAMINE A GRAM ║
- ~0E ║ ║
- ~0E ║ 4. INPUT A GRAM ║
- ~0E ║ ║
- ~0E ║ 5. RECALL A SESSION ║
- ~0E ║ ║
- ~0E ║ 6. RETURN TO READING ║
- ~0E ║ ║
- ~0E ║ 7. EXAMINE TRIGRAMS ║
- ~0E ║ ║
- ~0E ║ 8. EXIT PROGRAM ║
- ~0E ║ ║
- ~0E ╚════════════════════════╝
- ~0E
- ~0E Select an Option:
- ~0B
- ~0B
- ~0B "INSTRUCTIONS" presents an abbreviated set of instructions.
- ~0B
- ~0B "CONSULT CHOU I" is a mode of operation in which the computer
- ~0B analyzes the timing and placement of your keystrokes (your
- ~0B "touch") and uses this information to select the lines of a
- ~0B hexagram.
- ~0B
- ~0B "EXAMINE A GRAM" presents a list of the chapters of the Chou I,
- ~0B and allows you to select a hexagram for study.
- ~0B
- ~0B "INPUT A GRAM" is a mode which allows you to toss the coins or
- ~0B divide the stalks to select the lines, then "tell" the computer
- ~0B what numbers (6,7,8,9) you received on each step.
- ~0B
- ~0B "RECALL A SESSION" allows you to retrieve and display a reading
- ~0B previously stored on the diskette. You may view a recorded ses-
- ~0B sion by entering the word "SAMPLE" when asked for a file name.
- ~0B
- ~0B "RETURN TO READING" allows you to re-enter a reading if, while
- ~0B looking at the main menu, you decide that you exited too soon.
- ~0B It even allows you to re-enter (see the hexagrams and sequences
- ~0B of) a "recalled" session.
- ~0B
- ~0B "EXAMINE TRIGRAMS" presents two tables. The first is a listing
- ~0B of the attributes associated with the trigrams. The second is a
- ~0B chart which allows you to select a hexagram when you only know
- ~0B the component trigrams.
- ~0B
- ~0B
- ~0B DIVINATORY MODES
- ~0B
- ~0B
- ~0B We expected that when making an inquiry you would first record
- ~0B the question, then perform the reading, next write your inter-
- ~0B pretation, and finally save the record on the diskette.
- ~0B
- ~0B
- ~0B The "SAMPLE" serves as a suggested method of recording; but
- ~0B please don't hesitate to include a few more details than we have
- ~0B concerning your own intuitions about the reading!
- ~0B
- ~0B
- ~0B You MUST limit your questions and comments to 75 characters per
- ~0B line. At the end of each line you write, press "return" and you
- ~0B may enter another line. The question is limited to four lines.
- ~0B When you press "return" on an empty line, or following a question
- ~0B mark, the program considers the question to be complete, and
- ~0B moves you automatically to the appropriate divination routine.
- ~0B
- ~0B
- ~0B When you attempt to return to the main menu, the program will
- ~0B move to a point where you are allowed to enter final comments.
- ~0B This is so that you may enter your interpretation of the reading
- ~0B into the record for later comparison. Comments can be only ap-
- ~0B proximately 10 lines. These limitations were made in order to
- ~0B minimize memory requirements.
- ~0B
- ~0B
- ~0B Finally, you will be asked to enter a name under which the record
- ~0B will be stored. Standard DOS naming conventions apply here: the
- ~0B name may contain up to 8 characters, with an optional 3 character
- ~0B extension. You are encouraged to establish your own, consistent
- ~0B naming scheme for the records that you save. A candidate scheme
- ~0B might include a name like this: "MOVE_27.JUN" meaning "This is
- ~0B the question I asked on June 27th about my decision to move to a
- ~0B new apartment." With a scheme such as this you will avoid the
- ~0B extreme frustration of wondering which reading you did when and
- ~0B about what.
- ~0B
- ~0B
- ~0B There is room for approximately 50 records on the Chou I diskette.
- ~0B A separate diskette or directory can be used. The names of these
- ~0B records are limited by DOS naming conventions: 8 characters, with
- ~0B an optional 3 character "extension." Chou I supports DOS "path
- ~0B names" for storing and reading these records.
- ~0B
- ~0B
- ~0B SCREENS AND OPTIONS
- ~0B
- ~0B
- ~0B When you have generated a hexagram, the screen will look something
- ~0B like this:
- ~0B
- ~0E 28 TA GUO
- ~0E
- ~0E ████████████ ████████████
- ~0E
- ~0E ███████████████████████████
- ~0E
- ~0E ███████████████████████████
- ~0E
- ~0E ███████████████████████████
- ~0E
- ~0E ███████████████████████████
- ~0E
- ~0E ████████████ ████████████
- ~0E
- ~0E The Passing of the Great
- ~0E
- ~0E The Passing of the Great. The beam sags.
- ~0E It is favorable to go somewhere.
- ~0E Success.
- ~0E
- ~0E
- ~0E OPTIONS: 1-1st Gram 2-1st Seq 3-2nd Gram 4-2nd Seq 5-Gloss 6-TriG 7-Menu
- ~0E
- ~0E
- ~0B At most times the "OPTIONS" line above is displayed. The fol-
- ~0B lowing pages of this manual illustrate the exercise of these
- ~0B options, showing actual screen images. The various parts of the
- ~0B screen presentations are described in Appendix A.
- ~0B
- ~0B
- ~0B Your first option might be to display the second hexagram which
- ~0B is produced by the replacement of the "changing lines" (if any)
- ~0B by their opposites. This is accomplished by selecting option
- ~0B "3-2nd Gram".
- ~0B
- ~0B
- ~0B
- ~0B Whenever a hexagram is displayed, you have the option of viewing
- ~0B its upper and lower trigrams by the selection of "6-TriG":
- ~0B
- ~0E
- ~0E ╔═══════════════════╗ 28 TA GUO ╔═══════════════════╗
- ~0E ║ Tui ║ ║ Sun ║
- ~0E ║ ▄▄▄ ▄▄▄ ║ ████████████ ████████████ ║ ▄▄▄▄▄▄▄ ║
- ~0E ║ ▄▄▄▄▄▄▄ ║ ║ ▄▄▄▄▄▄▄ ║
- ~0E ║ ▄▄▄▄▄▄▄ ║ ███████████████████████████ ║ ▄▄▄ ▄▄▄ ║
- ~0E ║ lake ║ ║ wood ║
- ~0E ║ ║ ███████████████████████████ ║ ║
- ~0E ║ Youngest daughter║ ║ Eldest daughter ║
- ~0E ║ ║ ███████████████████████████ ║ ║
- ~0E ║ mouth; words ║ ║ thigh; gentle ║
- ~0E ║ sheep ║ ███████████████████████████ ║ fowl ║
- ~0E ║ autumn ║ ║ early summer ║
- ~0E ║ west ║ ████████████ ████████████ ║ southeast ║
- ~0E ║ a marsh ║ ║ growth, wind ║
- ~0E ║ openness; joyful ║ The Passing of the Great ║ penetrating ║
- ~0E ╚═══════════════════╝ ╚═══════════════════╝
- ~0E The Passing of the Great. The beam sags.
- ~0E It is favorable to go somewhere.
- ~0E Success.
- ~0E
- ~0E
- ~0F Press any key to continue
-
- ~0B
- ~0B
- ~0B Pressing any key at this time will remove the trigram display,
- ~0B and return the option line.
- ~0B
- ~0B
- ~0B Whenever you are viewing either a Hexagram or a Sequence,
- ~0B Option "5-Gloss" will allow you to examine the translations of
- ~0B nearly 100 key terms, presented in a "window" (a rectangular
- ~0B space which TEMPORARILY covers up a part of the screen). You
- ~0B will be asked to choose an upper or lower window. This is so
- ~0B that the window with the glossary information will not cover up
- ~0B the original context of the term for which you are seeking
- ~0B further definition.
- ~0B
- ~0B
- ~0B The entry of a "?", instead of a term, leads to:
- ~0B
- ~0E
- ~0E ╔═════════════════════════════════════════════════════════════════════╗
- ~0E ║ ║
- ~0E ║ ║
- ~0E ║ ACTION, ANYWHERE, BARBARIAN, BENEFICIAL, BENEFIT, BEST, ║
- ~0E ║ BETTER, BLAME, BOND, CALAMITY, CANGUE, CAULDRON, CHARACTER, ║
- ~0E ║ CHING, CHOU, CHUN-TZU, COMPROMISE, CROSSING THE GREAT RIVER, ║
- ~0E ║ DANGER, DANGEROUS, DEPUTIES, DESTINATION, DESTINY, DIVINE, ║
- ~0E ║ EASE, ERROR, FAITH, FATE, FAVORABLE, FEALTY, FIRM, FORESIGHT, ║
- ~0E ║ ║
- ~0E ║ Press Any Key to Continue ║
- ~0E ╚═════════════════════════════════════════════════════════════════════╝
- ~0E
- ~0B
- ~0B Above is the first of three windows listing the terms found in
- ~0B the glossary. Pressing any key will continue through the other
- ~0B entries.
-
-
-
- When you enter a term, such as "SOMEWHERE", you will see the
- following window:
- ~0B
- ~0E
- ~0E ╔════════════════════════════════════════════════════════════════════╗
- ~0E ║ SOMEWHERE -- Yu: a place, a destination, an action. ║
- ~0E ║ ║
- ~0E ║ Graph - Running water, plus a hand holding a stick. ║
- ~0E ║ Symbol- Someone uses a stick to sound a ford. ║
- ~0E ║ In the course being considered or symbolized, one will be required ║
- ~0E ║ to go to a place, or to take an action. ║
- ~0E ║ Someone going somewhere, crossing over, has a destination. ║
- ~0E ║ ║
- ~0E ║ Would you like to check another? (Y/N) ║
- ~0E ╚════════════════════════════════════════════════════════════════════╝
- ~0E
- ~0B
- ~0B In all of these glossary listings, the "Graph" entry is a literal
- ~0B description of the Chinese character or characters. These may be
- ~0B pictographs, characters which are images of objects or situa-
- ~0B tions; or ideographs, characters which are combinations of picto-
- ~0B graphs and conventional signs. The "Symbol" entry is the inter-
- ~0B pretation of the Graph.
- ~0B
- ~0B
- ~0B Options "2-1st Seq" and "4-2nd Seq" present the appropriate
- ~0B Sequence. For instance, for Gram #28, the Sequence is:
- ~0B
- ~0E
- ~0E
- ~0E 1. Use a mat of white rushes. No error.
- ~0E
- ~0E 2■ A dry poplar sends out new shoots.
- ~0E An old man takes a young wife. Nothing is without benefit.
- ~0E
- ~0E 3. The beam warps. Misfortune.
- ~0E
- ~0E 4■ The beam curves upwards. Good fortune.
- ~0E But ulterior motives bring regret.
- ~0E
- ~0E 5. A dry poplar flowers. An old woman takes a man of rank.
- ~0E
- ~0E 6. One must ford the river; the waters pass over the head.
- ~0E Misfortune, but no blame.
- ~0E
- ~0B
- ~0B
- ~0B The Sequence is a set of statements about the meaning of
- ~0B each of the lines of the corresponding Hexagram. The
- ~0B entries of the Sequence above, and all of those presented
- ~0B by the program, are in the normal reading order of top to
- ~0B bottom. This is in contrast with the order of the lines in
- ~0B the Hexagrams, which is always from bottom to top, as was
- ~0B described under "METHOD" at the beginning of this manual.
- ~0B In other words, the top entry of the sequence gives the
- ~0B meaning of the bottom line of its associated Hexagram.
- ~0B
- ~0C
- ~0C This concludes the program description. The Appendices which
- ~0C follow present more detailed information about the Chou I.
- ~0C
- ~0B
- ~0B APPENDIX A - THE MANTIC SYMBOLS
- ~0B
- ~0B
- ~0B The 64 chapters of the Chou I each consist of four parts:
- ~0B
- ~0E
-
- ~0E 28 TA GUO
-
- ~0F 6~0E ████████████ ████████████
-
- ~0F 5~0E ███████████████████████████
-
- ~0F 4~0E ███████████████████████████
- ~0F The Archetype
- ~0F 3~0E ███████████████████████████
-
- ~0F 2~0E ███████████████████████████
-
- ~0F 1~0E ████████████ ████████████
-
-
- ~0E The Passing of the Great ~0F The Image
-
-
-
- ~0E The Passing of the Great. The beam sags. ~0F The Judgment
- ~0E It is favorable to go somewhere.
- ~0E Success.
- ~0E
- ~0E
- ~0E 1. Use a mat of white rushes. No error.
- ~0E
- ~0E 2■ A dry poplar sends out new shoots.
- ~0E An old man takes a young wife.
- ~0E Nothing is without benefit.
- ~0E
- ~0E 3. The beam warps. Misfortune.
- ~0E ~0F The Phases~0E
- ~0E 4■ The beam curves upwards. Good fortune.
- ~0E But ulterior motives bring regret.
- ~0E
- ~0E 5. A dry poplar flowers.
- ~0E An old woman takes a man of rank.
- ~0E No blame, no praise.
- ~0E
- ~0E 6. One must ford the river;
- ~0E the waters pass over the head.
- ~0E Misfortune, but no blame.
- ~0E
- ~0E
- ~0B The Phases are referred to as "The Sequence" in the program,
- ~0B and are often called simply "The Lines" in other texts.
- ~0B The meaning or description of these parts follows.
- ~0B
- ~0B
- ~0B
- ~0B THE ARCHETYPE -- Kua: The Hexagrams of the Book of Changes;
- ~0B to divine.
- ~0B Graph - Horizontal lines, representing the lines of a hexagram,
- ~0B plus two lines representing the cracks in a tortoise shell.
- ~0B Symbol- Determining the Hexagram by reading the cracks in a
- ~0B shell was the ancient form of divination; King Wen
- ~0B instituted the use of the Yarrow stalks.
- ~0B The Hexagrams are abstract symbols of a priori order;
- ~0B representations of relatively fixed patterns of development
- ~0B against the background of change itself.
- ~0B
- ~0B Analysis -
- ~0B
- ~0B Lower Trigram: below, earlier, within, human affairs,
- ~0B social consciousness, body.
- ~0B Upper Trigram: above, later, outside, cosmic ideals, mystic
- ~0B consciousness, mind.
- ~0B Trigram relations: according to attributes, images, sequence,
- ~0B family. (See Appendix B).
- ~0B
- ~0B
- ~0B
- ~0B THE IMAGE -- Hsiang: a representation, a form, to resemble.
- ~0B
- ~0B Graph - An elephant.
- ~0B Symbol- By extension, the image of a thing;
- ~0B also, the forms carved in ivory.
- ~0B The Image is the name of an Archetype: a pictographic
- ~0B representation of the abstract symbology of the Hexagram,
- ~0B presumably appended by King Wen.
- ~0B
- ~0B The Image, as opposed to an abstract concept, is a symbol having
- ~0B irreducible primordial psychic content which could never be
- ~0B completely explained in words. The Image affects the mind
- ~0B directly, for it is the best possible conscious expression of the
- ~0B unconscious archetype, the hexagram.
- ~0B
- ~0B
- ~0B
- ~0B THE JUDGMENT -- T'uan: an interpretation, a commentary.
- ~0B
- ~0B Graph - A hog, showing bristles on the snout; or a porcupine.
- ~0B Symbol- A commentary appended to a text; as a pig's bristles are
- ~0B "accessories" to the pig; as a porcupine's spines are
- ~0B "appended" to it.
- ~0B The Judgment contains images which amplify the symbology of the
- ~0B Archetype and the Image, and also contains divinatory judgments
- ~0B as to the action required and conclusion to be expected.
- ~0B
- ~0B The Judgments were appended by King Wen.
- ~0B
- ~0B
- ~0B
- ~0B THE PHASES -- Yao: mutual action and reaction; influence;
- ~0B symmetrical disposition, network;
- ~0B to intertwine.
- ~0B Graph - Shears, tongs, or implements which work by mutual action,
- ~0B as the handles and shears of a scissors.
- ~0B Symbol- The phases of an archetypal pattern of changes or the
- ~0B stages of development of a thing according to its
- ~0B inherent nature.
- ~0B The Phases contain images and mantic judgments which explicate
- ~0B the meaning of each stage of development of the Archetype.
- ~0B
- ~0B The Phases were appended by King Wen and the Duke of Chou.
- ~0B
- ~0B
- ~0B
- ~0B Analysis -
- ~0B
- ~0B Line 1: Before, the beginning, infancy and childhood, instincts,
- ~0B not gone far enough.
- ~0B Line 2: Middle, correct, modest, local official, adolescence,
- ~0B sons, woman, self interest.
- ~0B Line 3: Highest of lower trigram, authority, strength, social
- ~0B maturity, individual concerns, gone too far, too strong.
- ~0B Line 4: Lowest of upper trigram, minister to the king,
- ~0B the Chün-Tzu, mystic initiate, social consciousness.
- ~0B Line 5: Middle, king, the great man, the sage, mystic
- ~0B consciousness, wisdom.
- ~0B Line 6: After, gone too far, gone beyond, the sage, ascended
- ~0B master, divine knowledge.
- ~0B
- ~0B
- ~0B
- ~0B The line which distinctively illustrates the Archetype, having
- ~0B nobility, and correctly according with the demand of the time,
- ~0B has been traditionally referred to as the "ruling" line (some-
- ~0B times there are two ruling lines).
- ~0B
- ~0B
- ~0B In the program presentation, a ruling line is marked with a
- ~0B "■" beside the line's number, as in "4■" (illustrated earlier
- ~0B in this manual).
- ~0B
- ~0B
- ~0B
- ~0B APPENDIX B - TRIGRAMS OF THE BOOK OF CHANGES
- ~0B
- ~0B
- ~0B The 64 Archetypes of the Chou I are constructed by the joining of
- ~0B two three-line trigrams. The trigrams were originated by Fu Hsi.
- ~0B Each of these trigrams has symbolic meaning of its own:
- ~0B
- ~0B
- ~0B HEAVEN -- Ch'ien: the power of Heaven, masculine, sovereign, dry.
- ~0B Graph - The sun shining on overgrown plants and watery places,
- ~0B causing vapors, once checked, to rise up.
- ~0B Symbol- Drying, warming energy, causing luxuriant growth
- ~0B and vapors to rise up toward the Heavens.
- ~0B Symbolic Correlations - The father, the head, the dragon,
- ~0B the stallion, strength, the creative as opposed to the receptive,
- ~0B active as opposed to passive, intellect as opposed to emotions,
- ~0B intuition as opposed to sensation.
- ~0B
- ~0B Direction - Northwest. Ch'ien is the Image of Hexagram 1.
- ~0B
- ~0B
- ~0B
- ~0B THUNDER -- Chen: to shake, to excite, to terrify, to quicken,
- ~0B to move.
- ~0B Graph - A line above (indicating Heaven) and a lightning bolt
- ~0B coming down through a cloud; plus a man with long hair,
- ~0B an adult.
- ~0B Symbol- Sudden shocking action, of short duration, as by natural
- ~0B forces or a powerful man.
- ~0B Symbolic Correlations - Lightning, thunder, earthquake, the foot,
- ~0B fear, agitation, animus.
- ~0B
- ~0B Direction - East. Chen is the Image of Hexagram 51.
- ~0B
- ~0B
- ~0B
- ~0B RIVER -- K'an: a gorge, a pit, a hole, a snare, a crisis.
- ~0B Graph - The graph for earth plus the breath coming out
- ~0B of a person.
- ~0B Symbol- A declivity in the earth; water in movement, as breath
- ~0B coming out.
- ~0B Symbolic Correlations - The abyss, the gorge, the ear, the pig,
- ~0B danger, wisdom, darkness, the Oracle, animus.
- ~0B
- ~0B Direction - North. K'an is the Image of Hexagram 29.
- ~0B
- ~0B
- ~0B
- ~0B MOUNTAIN -- Ken: a limit, to stop, hard, obstinate, defiant.
- ~0B Graph - An eye, and legs swirling, indicating someone turning
- ~0B around rapidly.
- ~0B Symbol- A man standing his ground; looking a person full in
- ~0B the face.
- ~0B Symbolic Correlations - Stillness, the hand, the dog, meditation,
- ~0B silence, firmness, inertia, the pause between cycles, animus.
- ~0B
- ~0B Direction - Northeast. Ken is the Image of Hexagram 52.
- ~0B
- ~0B
- ~0B
- ~0B EARTH -- K'un: the power of Earth, feminine, subordinate, moist.
- ~0B Graph - Two horizontal lines (subsoil and topsoil) and a vertical
- ~0B line, showing plants growing out; or else a sacred pole
- ~0B or stone, a symbol of the Earth spirit; plus an ancient
- ~0B symbol representing two natural powers.
- ~0B Symbol- The Earthly half of the two powers.
- ~0B Symbolic Correlations - The mother, the belly, the cow, the
- ~0B kettle, the receptive as opposed to the creative, passive as
- ~0B opposed to active, emotion as opposed to intellect, sensation as
- ~0B opposed to intuition.
- ~0B
- ~0B Direction - Southwest. K'un is the Image of Hexagram 2.
- ~0B
- ~0B
- ~0B
- ~0B WOOD -- Sun: mild, bland, insinuating.
- ~0B Graph - Two foetuses plus plants growing
- ~0B out of the ground, their roots penetrating it.
- ~0B Symbol- Foetuses symbolize gentle growth over a long period;
- ~0B the roots of plants gently and persistently penetrate
- ~0B the earth; blowing wind gets into everything.
- ~0B Symbolic Correlations - Wind; growth; persistence; gentleness;
- ~0B the thigh; the fowl.
- ~0B
- ~0B Direction - Southeast. Sun is the Image of Hexagram 57.
- ~0B
- ~0B
- ~0B
- ~0B FIRE -- Li: bright, elegant, light, brilliance, to leave.
- ~0B Graph - A bird (assumed to have brilliant plumage).
- ~0B Symbol- Light which illuminates everything; flame moves upwards;
- ~0B a bird flies high.
- ~0B Symbolic Correlations - The pheasant, the sun, the eye, the
- ~0B phoenix, clinging, dependent, conditioned, warming, the anima.
- ~0B
- ~0B Direction - South. Li is the Image of Hexagram 30.
- ~0B
- ~0B
- ~0B
- ~0B LAKE -- Tui: To rejoice, to speak, to dissipate.
- ~0B Graph - A mouth, plus a symbol for dividing or separating,
- ~0B and a person.
- ~0B Symbol- Words which dispel grief and rejoice the hearer.
- ~0B Symbolic Correlations - The mouth, the marsh, the sheep, smiling,
- ~0B pleasure, the sorceress, gladdening, youth, beauty.
- ~0B
- ~0B Direction - West. Tui is the Image of Hexagram 58.
- ~0B
- ~0B
- ~0A APPENDIX C - ABOUT THE AUTHORS
- ~0A
- ~0A
- ~0A Professor Schroeder teaches Asian Thought as well as Western
- ~0A Philosophy at California State University, Northridge. He has
- ~0A studied and taught at the American University of Oriental
- ~0A Studies under Dharma Master Dr. Thich Tien-An. Professor
- ~0A Schroeder has lived in east Asia himself, having studied at
- ~0A Orient Buddhist College and Monastery in Taiwan, under Dharma
- ~0A Master Hsing Yün. His specialties include analysis of archaic
- ~0A Chinese script, Indian philosophy, Wittgenstein, and Jung. He
- ~0A has several publications concerning the I Ching, some of them
- ~0A published in Asia. His scholarship and devotion to the subject
- ~0A are widely recognized.
- ~0A
- ~0A
- ~0A Mr. Thompson is an engineer, a computer programmer, and a
- ~0A Philosophy professor. He is an initiate and practitioner in the
- ~0A Tibetan Gelugpa tradition of Buddhism, studying under Geshe
- ~0A Tsultrim Gyeltsen at Thubten Dhargye Ling Tibetan Center in Los
- ~0A Angeles. A friend and former student of Professor Schroeder, Mr.
- ~0A Thompson undertook this program primarily from a desire to make
- ~0A Professor Schroeder's work on the Book of Changes available to a
- ~0A wider audience.
- ~0A
- ~0A
- ~0A "Chou I" is an entirely new translation from ancient sources, not
- ~0A just a rewording of previous translations, as many recent books
- ~0A on the subject tend to be. Though useful to anyone who may be
- ~0A interested, Professor Schroeder's Chou I was not written especi-
- ~0A ally for beginners. Its primary purpose is to make available to
- ~0A those already interested in Taoism and the I Ching a pure trans-
- ~0A lation from ancient sources, without the suspect influence of
- ~0A later belief systems and the associated commentaries. As an
- ~0A example of "suspect" translating, very few of the characters in
- ~0A the ancient language were gender specific, a fact which one would
- ~0A not discern from the sexist language employed in most transla-
- ~0A tions.
- ~0A
- ~0A
- ~0A One of the prerequisites for the computer program was that the
- ~0A Hexagram lines were NOT to be selected by any so-called "random
- ~0A number generator." The authors thought that such a scheme would
- ~0A not be sufficiently "connected" to the person making the reading.
- ~0A The method chosen takes into account both the key which the user
- ~0A presses, and the time between the keystrokes (measured in thou-
- ~0A sandths of a second, though somewhat dependent upon the partic-
- ~0A ular computer). These seem to the authors to be the two avail-
- ~0A able factors which best capture the touch, mood, and unconscious
- ~0A inclinations of the user when making the Hexagram entries. Also,
- ~0A by allowing only the letter and number keys to be used for en-
- ~0A tries, 36 keys are available, a multiple of four. This prevents
- ~0A any bias for one line type over another. While this may be more
- ~0A detail than one wants to read, it is included in order to demon-
- ~0A strate the insistence of the authors that the program be some-
- ~0A thing other than a game: that it be valid and useful.
- ~0A
- ~0F
- ~0F
- ~0F APPENDIX D - USER SUPPORTED SOFTWARE
- ~0F
- ~0F
- ~0F The author distributes Chou I with a marketing approach called
- ~0F "user supported software." The diskette with programs and manual
- ~0F can be freely copied and shared. It is also available from the
- ~0F author for $15. Please use the registration form "REGFORM.TXT"
- ~0F on this disk. We ask you to help us distribute Chou I by sharing
- ~0F UNMODIFIED copies of the diskette with others. We also encourage
- ~0F you to register your copy. Registration has benefits to you:
- ~0F
- ~0F 1) We can notify you of improved versions of Chou I,
- ~0F or other products.
- ~0F 2) Your conscience will be clear if you pay for what you
- ~0F use!
- ~0F
- ~0F You can "share" only complete unmodified copies of the Chou I
- ~0F diskette. You cannot distribute modified copies.
- ~0F
- ~0F
- ~0F PC-Write, our favorite Word Processing program, (used to
- ~0F write all code and data files for this program) is available
- ~0F from Bob Wallace at: Quicksoft, 219 First N. #224, Seattle,
- ~0F WA, 98109; (206)282-0452. The present evaluation price is
- ~0F $16.00 (two diskettes). This gets you a really excellent Word
- ~0F Processor, complete with spelling checker, mail merge,
- ~0F on-line help, and much more!
- ~0F
- ~0F PC-File, an excellent file management system, is available
- ~0F from Jim Button at: Buttonware, Box 5786, Bellevue, WA 98006;
- ~0F phone (206)454-0479. We use it extensively. Jim coined the
- ~0F phrase "user supported software." To obtain PC-File, or any of
- ~0F Jim's other fine programs, call his order line: 1(800)JBUTTON.
- ~0F
- ~0F User Supported Software is like public television: the program-
- ~0F ming is freely distributed, but support from users is required
- ~0F to keep the system working. The concept is based on these
- ~0F principles:
- ~0F
- ~0F 1.People need to try programs to see if they are useful.
- ~0F 2.Software authors can be supported directly by users.
- ~0F 3.Copying and networking of programs can be encouraged.
- ~0F
- ~0F To quote the late Andrew Fluegelman, originator of this
- ~0F marketing concept: "This is an experiment in economics more
- ~0F than altruism. Free distribution of software and voluntary
- ~0F payment for its use would eliminate the need for money to be
- ~0F spent on marketing, advertising, and copy protection schemes.
- ~0F Users could obtain quality software at reduced cost, while
- ~0F still supporting program authors."
-